Roy Campanella was the backbone of the great Brooklyn Dodgers teams of the late 1940s and 1950s, alongside such other Hall of Famers as Jackie Robinson and Duke Snider. An outstanding defensive catcher and a powerful slugger, Campy won the National League MVP Award three times. But everything changed on a rainy January night in 1958 when Campy's car skidded off the road and he was left paralyzed below the neck. For the second time in his life, Roy Campanella would become a pioneer, this time off the field. Neil Lanctot's "Campy "is the magnificent, authoritative biography of this exuberant, gifted athlete.
Spreading democracy abroad or taking care of business at home is a tension as current as the war in Afghanistan and as old as America itself. Tracing the history of isolationist and internationalist ideas from the 1890s through the 1930s, Christopher McKnight Nichols reveals unexpected connections among individuals and groups from across the political spectrum who developed new visions for America’s place in the world. From Henry Cabot Lodge and William James to W. E. B. Du Bois and Jane Addams to Randolph Bourne, William Borah, and Emily Balch, Nichols shows how reformers, thinkers, and politicians confronted the challenges of modern society — and then grappled with urgent pressures to balance domestic priorities and foreign commitments. Each articulated a distinct strain of thought, and each was part of a sprawling national debate over America’s global role. Through these individuals, Nichols conducts us into the larger community as it strove to reconcile America’s founding ideals and ideas about isolation with the realities of the nation’s burgeoning affluence, rising global commerce, and new opportunities for worldwide cultural exchange. The resulting interrelated set of isolationist and internationalist principles provided the basis not just for many foreign policy arguments of the era but also for the vibrant as well as negative connotations that isolationism still possesses.
In Promise and Peril: America at the Dawn of a Global AgeNichols offers a bold way of understanding the isolationist and internationalist impulses that shaped the heated debates of the early twentieth century and that continue to influence thinking about America in the world today.
Otto von Bismarck transformed Europe more completely than anybody in the
19th century besides Napoleon. He effectively created the country at
the center of two world wars that would transform the world. This
immersive biography illuminates the life of the statesman who unified
Germany but who also embodied everything brutal and ruthless about
Prussian culture. Drawing heavily on contemporary writing, Jonathan
Steinberg creates a portrait of a complex and contradictory giant of a
man: a hypochondriac with the constitution of an ox, a brutal tyrant who
could easily shed tears, a convert to an extreme form of evangelical
Protestantism who secularized schools and introduced civil divorce. His
intelligence and insight dazzled his contemporaries; but all agreed
there was also something demonic, diabolical, overwhelming, beyond human
attributes, in Bismarck's personality. Behind his various postures was
concealed an ice-cold contempt for fellow humans and a drive to control
and rule them.
In this comprehensive and expansive biography, Steinberg brings Bismarck
to life, revealing the stark contrast between the "Iron Chancellor's"
unmatched political skills and his profoundly flawed human character.
Jonathan Steinberg is the Walter H. Annenberg Professor of Modern
European History at Penn, and an Emeritus Fellow of Trinity Hall,
It takes a strong woman to secure bookish remembrance in future times, to see her life becoming a life. David Wallace explores the lives of four Catholic women - Dorothea of Montau (1347-1394) and Margery Kempe of Lynn (c. 1373-c. 1440); Mary Ward of Yorkshire (1585-1645) and Elizabeth Cary of Drury Lane (c. 1585-1639) and and the fate of their writings. All four shock, surprise, and court historical danger. Dorothea of Montau punishes her body and spends all day in church; eight of her nine neglected children die. Kempe, mother of fourteen, empties whole churches with a piercing cry learned at Jerusalem. Ward, living piously but unimmured, is denounced as an Amazon, a chattering hussy, an Apostolic Virago, a galloping girl. Cary, having left her husband torturing Catholics in Dublin castle, converts to Roman Catholicism in Irish stables in London. Each of these women is mulier fortis, a strong woman: had she been otherwise, Wallace argues, her life would never have been written. The earliest texts of these lives are mostly near-contemporaneous with the women they represent, but later reappearances have been partial and episodic, with their own complex histories.
The lives of these strong women continue to be rewritten long after this premodern period. Incipient European war determines what Kempe must represent between her first discovery in 1934 and full publication in 1940. Dorothea of Montau, first promoted to counter eastern paganism, becomes a bastion against Bolshevism in the 1930s; her cult's meaning is fought out between Gunter Grass and Josef Ratzinger. Cary's Catholic daughters, Benedictine nuns, must write of their mother as if she were a saint. Ward's work is not yet done: her followers, having won the right not to be enclosed, must now enter the closed spaces of Roman clerical power.David Wallace has been Judith Rodin Professor of English at Penn since 1996, with stints as Visiting Professor at King's College, Cambridge, Melbourne University, Princeton University, and Hebrew University, Jerusalem.
With U.S. soldiers stationed around the world and engaged in multiple conflicts, Americans will be forced for the foreseeable future to come to terms with those permanently disabled in battle. At the moment, we accept rehabilitation as the proper social and cultural response to the wounded, swiftly returning injured combatants to their civilian lives. But this was not always the case, as Beth Linker reveals in her provocative new book, War's Waste. Linker explains how, before entering World War I, the United States sought a way to avoid the enormous cost of providing injured soldiers with pensions, which it had done since the Revolutionary War. Emboldened by their faith in the new social and medical sciences, reformers pushed rehabilitation as a means to "rebuild" disabled soldiers, relieving the nation of a monetary burden and easing the decision to enter the Great War. Linker's narrative moves from the professional development of orthopedic surgeons and physical therapists to the curative workshops, or hospital spaces where disabled soldiers learned how to repair automobiles as well as their own artificial limbs. The story culminates in the postwar establishment of the Veterans Administration, one of the greatest legacies to come out of the First World War."Carefully researched and compellingly argued, this is an important contribution to our understanding of the complicated relationships among public policy, orthopedic and rehabilitative medicine, and social values. Its relevance to today's challenging realities makes Linker's penetrating study of an earlier war relevant to a wide spectrum of potential readers." - Charles E. Rosenberg, Harvard UniversityBeth Linker is Assistant Professor in the Department of the History and Sociology of Science at Penn.
America began, we are often told, with the Founding Fathers, the men who waged a revolution and created a unique place called the United States. We may acknowledge the early Jamestown and Puritan colonists and mourn the dispossession of Native Americans, but we rarely grapple with the complexity of the nation’s pre-revolutionary past. In this pathbreaking revision, Daniel Richter shows that the United States has a much deeper history than is apparent — that far from beginning with a clean slate, it is a nation with multiple pasts that stretch back as far as the Middle Ages, pasts whose legacies continue to shape the present.
Exploring a vast range of original sources, Before the Revolution spans more than seven centuries and ranges across North America, Europe, and Africa. Richter recovers the lives of a stunning array of peoples — Indians, Spaniards, French, Dutch, Africans, English — as they struggled with one another and with their own people for control of land and resources. Their struggles occurred in a global context and built upon the remains of what came before. Gradually and unpredictably, distinctive patterns of North American culture took shape on a continent where no one yet imagined there would be nations called the United States, Canada, or Mexico. By seeing these trajectories on their own dynamic terms, rather than merely as a prelude to independence, Richter’s epic vision reveals the deepest origins of American history.
"Once every quarter-century or so, a book of great sweep and synthetic sophistication bursts onto the scene to recast our understanding of early American history. This masterful study, with its startling comparisons of European patterns of conquest, colonization, chaos, and cultural convergence, is a must-read." - Gary Nash
Daniel R. Richter is Roy F. and Jeannette P. Nichols Professor of American History at Penn, and the Richard S. Dunn Director of the McNeil Center for Early American Studies.
Force or fraud - rape or seduction? This book examines the development, between the Restoration of Charles II in 1660 and the accession of George III in 1760, of the peculiarly modern habit of making that distinction on the basis of female responsive agency. It tells the story of how rape and seduction came to be distinguished according to measures of women's resistance and consent in low-brow "amatory" writing, and how at the same time amatory fictions interrogated the implications of their own procedures, implications still very much with us today.
The amatory tales of Aphra Behn, Delarivier Manley, Eliza Haywood, and Samuel Richardson - early pioneers in British prose fiction - were immensely popular in their day. But they were also scandalous and controversial, not least because they so often depicted innocent young women under assault from men in positions of legitimate authority over them. Focusing on an ideologically-inflected strategy it calls "collusive resistance," Force or Fraud uncovers the paradoxical means by which formulaic late seventeenth- and early eighteenth-century seduction stories wielded a surprising degree of power and influence - not only over female imaginations, publication lists, and leisure time, but also over the interpretation of one of the age's most troubling problems, the problem of constructing virtuous resistance to those in authority. Stories about the ambiguous seductions of young women helped British political subjects negotiate a period of dramatic change and uncertainty, and to imagine newly legitimate forms of resistance.Toni Bowers is Associate Professor of English at the Penn.
Charles Bernstein is our postmodern jester of American poesy, equal parts surveyor of democratic vistas and scholar of avant-garde sensibilities. In a career spanning thirty-five years and forty books, he has challenged and provoked us with writing that is decidedly unafraid of the tensions between ordinary and poetic language, and between everyday life and its adversaries. Attack of the Difficult Poems, his latest collection of essays, gathers some of his most memorably irreverent work while addressing seriously and comprehensively the state of contemporary humanities, the teaching of unconventional forms, fresh approaches to translation, the history of language media, and the connections between poetry and visual art. Bernstein introduces his key theme of the difficulty of poems and defends, often in comedic ways, not just difficult poetry but poetry itself. Bernstein never loses his ingenious ability to argue or his consummate attention to detail. Along the way, he offers a wide-ranging critique of literature's place in the academy, taking on the vexed role of innovation and approaching it from the perspective of both teacher and practitioner. From blues artists to Tin Pan Alley song lyricists to Second Wave modernist poets, The Attack of the Difficult Poems sounds both a battle cry and a lament for the task of the language maker and the fate of invention.
Charles Bernstein holds the Donald T. Regan Chair in the Department of English at the University of Pennsylvania.
New in paperback!
"All the Whiskey in Heaven is a vast department store of the imagination.” — John Ashbery
“Charles Bernstein is our ultimate connoisseur of chaos, the chronicler, in poems of devastating satire, chilling and complex irony, exuberant wit, and, above all, profound passion, of the contradictions and absurdities of everyday life in urban America at the turn of the twenty-first century. [All the Whiskey in Heaven] displays a formal range, performative urgency, and verbal dexterity unmatched by other poets of his generation.” — Marjorie Perloff
Charles Bernstein is the Donald T. Regan Professor of English at Penn.
A distinguished group of scholars and prominent figures here offers thoughtful new perspectives on the tenor and conduct of public life in contemporary America. Originating in a shared concern that our civic culture was becoming coarser and more polarized, Public Discourse in America provides a critical corrective to this widespread misperception about declining civility in public culture and the ways we as citizens negotiate our differences. Together these essays explore the current condition and centrality of public discourse in our democracy, investigating how it has changed through our history and whether it fails to approach our widely held, but often unarticulated, ideal of "reasoned and reasonable" public deliberation. Contributors include: Joyce Appleby, Thomas Bender, Derek Bok, Alex Boraine, Graham G. Dodds, Christopher Edley, Jr., Drew Gilpin Faust, Neal Gabler, Richard Lapchick, Don M. Randel, Richard Rodriguez, Jay Rosen, David M. Ryfe, Michael Schudson, Neil Smelser, and Robert H. Wiebe.
Former Penn President Judith Rodin is President of the Rockefeller Foundation. Stephen P. Steinberg is Advisor to the President at Penn and former Director of the Penn National Commission on Society, Culture, and Community.
In The Columbia Anthology of Chinese Folk and Popular Literature, two of the world's leading sinologists, Victor H. Mair and Mark Bender, capture the breadth of China's oral-based literary heritage. This collection presents works drawn from the large body of oral literature of China's many ethnic groups, and the selections include a variety of genres. Fascinating juxtapositions invite comparisons among cultures, styles, and genres, and expert translations preserve the individual character of each thrillingly imaginative work.
"A work of monumental proportions." - Susan R. Blader, Dartmouth College
Victor Mair is Professor of Chinese Language and Literature at Penn.
Reality television is global. Transnational television companies and international distribution networks facilitate the worldwide circulation of popular shows; the 1990s in particular saw the growth of media companies that specialize in the development of reality television formats that are easily adaptable to local variations. While the industrial history of the global migrations of reality television is well established, there has been less consideration of the theoretical and methodological implications of this expansion. The Politics of Reality Television encompasses an international selection of expert contributions who consider the specific ways these migrations test our understanding of, and means of investigating, reality television across the globe. The book proposes ways in which we can think through the international dimensions of reality television in the context of highly mobile media, politics, and publics. It offers a global, comparative examination of reality television alongside empirical research about the genre, its producers and consumers.
Marwan M. Kraidy is Associate Professor of Global Communication at the Annenberg School for Communication at Penn. Katherine Sender is Associate Professor of Communication at the Annenberg School.
After the Bible, the Passover Haggadah is the most widely read classic Jewish text. Few editions are as exquisite as The Washington Haggadah in the Library of Congress. A stunning facsimile edition, meticulously reproduced in full color, brings this illuminated 15th-century manuscript to life for a new generation of readers.
Translator David M. Stern is the Ruth Meltzer Professor of Classical Hebrew in the Near Eastern Languages and Civilizations department and former Director of the Jewish Studies Program at Penn.
In much the same way that photography forced painting to move in new directions, the advent of the World Wide Web, with its proliferation of easily transferable and manipulated text, forces us to think about writing, creativity, and the materiality of language in new ways. In Against Expression, editors Craig Dworkin and Kenneth Goldsmith present the most innovative works responding to the challenges posed by these developments. Charles Bernstein has described conceptual poetry as "poetry pregnant with thought." Against Expression, the premier anthology of conceptual writing, presents work that is by turns thoughtful, funny, provocative, and disturbing. Dworkin and Goldsmith, two of the leading spokespersons and practitioners of conceptual writing, chart the trajectory of the conceptual aesthetic from early precursors including Samuel Beckett and Marcel Duchamp to the most prominent of today’s writers. Nearly all of the major avant-garde groups of the past century are represented here, including Dada, OuLiPo, L=A=N=G=U=A=G=E, and Flarf to name just a few, but all the writers are united in their imaginative appropriation of found and generated texts and their exploration of nonexpressive language. A timely collection and an invaluable resource for readers and writers alike.
Kenneth Goldsmith teaches writing at Penn, where he is a senior editor of PennSound, an online poetry archive.
Neighborhood and Life Chances brings together researchers from a range of disciplines to demonstrate that place matters in education, physical health, crime, violence, housing, family income, mental health, and discrimination-issues that determine the quality of life among low-income residents of urban areas.
Eugenie L. Birch is Lawrence C. Nussdorf Professor of Urban Research and Education in Penn Design's Department of City and Regional Planning. Susan M. Wachter is Richard B. Worley Professor of Financial Management and Professor of City and Regional Planning at Penn Design. Together, Birch and Wachter direct the Penn Institute for Urban Research.
This book presents a concise, balanced overview of China's oldest and most revered philosophy. In clear, straightforward language, Paul R. Goldin explores how Confucianism was conceived and molded by its earliest masters, discusses its main tenets, and considers its history and relevance for the modern world. Goldin guides readers through the philosophies of the three major classical Confucians - Confucius, Mencius, and Xunzi - as well as two short anonymous treatises, the "Great Learning" and the "Classic of Filial Piety." He also discusses some of the main Neo-Confucian philosophers and outlines transformations Confucianism has undergone in the past.
Paul R. Goldin is Professor and Chair of the Department of East Asian Languages and Civilizations at Penn.
Illustrated with beautiful colour photos throughout, On Wings of Diesel takes us on a journey through the fascinating world of Pakistani truck decoration. Considered as moving art, these trucks-veritable roving exhibitions-depict all aspects of life and support a highly developed artisanal industry. Exploring the significance of the practice, Jamal J. Elias provides a unique window on Pakistan, and addresses complex questions of culture, society, and religion in an accessible and entertaining way.
"A brilliant, solidly constructed study. This is a commanding work of scholarship." - David Morgan, Duke University
Jamal J. Elias is Chair of the Department of Religious Studies and Class of 1965 Endowed Term Professor at Penn.
This volume collects Kant's ethical and anthropological writings from the 1760s, before he developed his critical philosophy. It includes previously untranslated and difficult to access material such as the Remarks Kant wrote in his copy of the Observations, and reveals Kant's progression towards the philosophy that eventually made him famous.
Paul Guyer is F. R. C. Murray Professor in the Humanities and Professor of Philosophy at Penn.
The authoritative biography of Roy Campanella, famed ballplayer and African-American pioneer, who suffered an injury that left him paralyzed for life.
"Considered by many to be one of the greatest catchers in baseball history, Roy 'Campy' Campanella is as interesting for what he did off the field as for his accomplishments within the baselines. And Lanctot, who has written extensively on the Negro Leagues, does justice to the tale. Born in 1921 in Philadelphia to a Sicilian father and African-American mother, Campanella saw his love for baseball pay off at an early age when he joined a club in the Negro Leagues at age 15. His early baseball years, which also took him to Mexico and Cuba, not only gave him exposure to the ugly racism of the time but also the experience that he needed for the Brooklyn Dodgers to sign him in 1946. From there, Campanella won the MVP award three times and led the Dodgers to an emotional World Series win in 1945 after so many previous failures against the Yankees. Lanctot truly captures the reader by delving well past the statistics, analyzing the rocky relationship with teammate Jackie Robinson and the horrific car accident in 1958 that left him paralyzed. Lanctot paints Campanella as an extremely likable person, yet doesn't hold back when speaking about subjects like Campanella's failed marriages and infidelity. Impeccably researched, it's a defining book on 'the only person in baseball history about whom absolutely no one had a bad thing to say.'" - Publishers Weekly, Starred Review
Neil Lanctot teaches History at Penn and the University of Penn. He is the author of Negro League Baseball: The Rise and Ruin of a Black Institution.
How was modernism shaped, from its beginning, by intellectual property law? What role did the law's imperial and transatlantic asymmetries play in modernism's dissemination? How did various modernists exploit, reform, anoint, and evade copyright? And how is the study of modernism today being affected by expanding copyright regimes?
Modernism and Copyright is the first book to take up these questions. A truly multi-disciplinary study, it brings together essays by scholars of literature, theater, cinema, music, and law as well as by practicing lawyers and caretakers of modernist literary estates. Its contributors' methods are as diverse as the works they discuss: Ezra Pound's copyright statute and Charlie Parker's bebop compositions feature here, as do early Chaplin films, EverQuest, and the Madison Avenue memo. As our portrait of modernism expands and fragments, Modernism and Copyright locates works such as these on one of the few landscapes they all clearly share: the uneven terrain of intellectual property law.
"Modernism and Copyright places copyright at the center of modernist art, modernist theories of art, and modern ideas of ownership. For that alone, it is an important book. But these essays take us much further: they show convincingly that the laws and customs of intellectual property are crucial to our most significant political and aesthetic concepts such as generation, tradition, authenticity, community, and privacy." - Rebecca L. Walkowitz, Rutgers University
Paul Saint-Amour is Associate Professor of English at Penn.
Our era is defined by the model. From Victoria's Secret and "America's Next Top Model" to the snapshots we post on Facebook and Twitter, our culture is fixated on the pose, the state of existing simultaneously as artifice and the real thing. In this bold view of contemporary culture, Wendy Steiner shows us the very meaning of the arts in the process of transformation. Her story begins at the turn of the last century, as the arts abandoned the representation of the world for a heady embrace of the abstract, the surreal, and the self-referential. Today though, this "separate sphere of the aesthetic" is indistinguishable from normal life. Media and images overwhelm us: we gingerly negotiate a real-virtual divide that we suspect no longer exists, craving contact with what J. M. Coetzee has called "the real real thing." As the World Wide Web renders the lower-case world in ever-higher definition, the reality-based genres of memoir and documentary are displacing fiction, and novels and films are depicting the contemporary condition through model-protagonists who are half-human, half-image. Steiner shows the arts searching out a new ethical potential through this figure: by stressing the independent existence of the model, they welcome in the audience in all its unpredictability, redefining aesthetic experience as a real-world interaction with the promise of empathy, reciprocity, and egalitarian connection. A masterly performance by a penetrating, inquisitive mind, The Real Real Thing is that rarest of books, one whose provocations and inspirations will inspire readers to take a new - and nuanced - look at the world around them.
Wendy Steiner is the Richard L. Fisher Professor of English and Director of the Penn Humanities Forum at the University of Pennsylvania.
Callaghan's Journey to Downing Street is the long overdue account of how James Callaghan, after resigning as Chancellor of the Exchequer when Britain was forced to devalue the pound, rebuilt his political reputation to eventually become Prime Minister. With emphasis on politics rather than policy, the bok reveals a pattern of behavior that Callaghan himself might not have been aware of. Callaghan's skill as a political tactician was in knowing when to take adantage of a developing crisis. Whether as Home Secretary or Foreign Secretary, he had an uncanny ability to see each crisis - the anti-Vietnam War protests in Grosvenor Square, trade union reform, the Troubles in Northern Ireland, and the debate over Britain remaining in the EEC - as an opportunity to move up the next rung of the ladder and to use that crisis to further consolidate his power and curb the influence of his rivals.
Paul J. Deveney is Senior Fellow and Lecturer at the Center for Programs in Contemporary Writing at Penn. He lectures on writing and Modern British History. He has previously worked as a senior writer on the Foreign desk of the Wall Street Journal.
Images of people about to die surface repeatedly in the news, particularly around the difficult and unsettled events of war, political revolution, terrorism, natural disaster, and other crises. Their appearance raises questions: What equips an image to deliver the news; how much does the public need to know to make sense of what they see; and what do these images contribute to historical memory? About To Die addresses these questions by using images of imminent death as a litmus test for considering news imagery and visual meaning more broadly. The depictions, freezing action at the elemental moment when a person's contribution to history is registered, elicit contemplation and emotion. Used in ways that counter traditional understandings of both journalistic practice and the public's response to news, such images drive the public encounter with important events through impulses of implication, conditionality, hypothesis and contingency, rather than through evidentiary force. These images call on us to rethink both journalism and its public response, and in so doing they suggest both an alternative voice in the news - a subjunctive voice of the visual that pushes the "as if" of news over its "as is" dimensions - and an alternative mode of public engagement with journalism - an engagement fueled not by reason and understanding but by imagination and emotion. Tracking events as wide-ranging as the 1906 San Francisco Earthquake, Holocaust, Vietnam War, famine, Intifada, 2004 tsunami, and 9/11 and the "war on terror," this book suggests that a different kind of news relay, producing a different kind of public response, has settled into our information environment. It is in a development that has profound and under-explored implications for society's collective memory, the full breadth of which are tackled here.
Barbie Zelizer is Raymond Williams Chair of Communication and the Director of the Scholars Program in Culture and Communication at the Annenberg School for Communication at Penn.
"A rollicking biography of Carl Akeley, an American taxidermist who preserved realistic-looking beasts complete with aura of "will," for 20th-century natural history museums. (His breakthrough was papier-mâché.) But alive beats lifelike, so the author spends most of the book following Akeley's African safaris, where he hunts big game and touring tycoons who might fund his projects. These chapters combine epic adventure - Akeley endures waterless marches, fever, and bloody maulings by a leopard and an elephant - with the offbeat love story of Akeley and his crack-shot wife, Mickie, who is forever rescuing and nursing her husband. (The marriage dissolves when Mickie essentially falls in love with a pet monkey who tears up their New York apartment.) A talented literary taxidermist, Kirk spruces up the story's anatomy with dramatic "inferences" - imagined scenes and imputed streams of consciousness - and heroic cameos including a memorable turn by Akeley's safari companion, Theodore Roosevelt. The result is a beguiling, novelistic portrait of a man and an era straining to hear the call of the wild." - Publisher's Weekly
Jay Kirk teaches in the Creative Writing program at Penn.
Whatever his ratings, Obama remains personally popular, widely acknowledged for his soaring oratory. His words were one of the lasting legacies of his presidential campaign and are proving to be among his most effective governing weapons. In Power in Words, distinguished historian and civil rights activist Mary Frances Berry and former presidential speechwriter Josh Gottheimer introduce Obama’s most memorable speeches, from his October 2002 speech against the war in Iraq and his November 2008 election-night victory speech to “A More Perfect Union,” his March 2008 response to the Reverend Wright controversy, and lesser-known but revealing speeches, such as one given in Nairobi, Kenya, in August 2006.
For each speech, Berry and Gottheimer add a rich introduction that includes political analysis, provides insight and historical context, and features commentary straight from the speechwriters themselves—including Jon Favreau, Obama’s chief speechwriter, and several other Obama campaign writers. Compelling and enduring, Power in Words delivers the behind-the-scenes account of Obama’s rhetorical legacy and is a collection to relish for years to come.
Mary Frances Berry is Geraldine R. Segal Professor of American Social Thought and Professor of History at Penn. Former presidential speechwriter Josh Gottheimer is a visiting professor at Penn.
Modern scholarship, particularly historical studies, has long acknowledged the importance of the past to medieval conceptions of the present. This volume brings art history and music into dialogue with historical studies. The essays draw out the strategies shared by these fields in the realm of historical representation. How was the creative representation of past practices in illuminated manuscripts, monumental sculpture, and architecture, as well as in musical notation, motet composition, and performance understood as both a historical and historicizing act? What kinds of relationships did composers, patrons, chroniclers, and musicians entertain with their predecessors? Historical studies have shown how chroniclers and annalists rewrote tradition while self-consciously writing themselves into it; the essays in this volume explore such strategies in art and music.
Robert Maxwell is Associate Professor of Art History at Penn.
The Constitution states that “no religious test” may keep a candidate from aspiring to political office. Yet, since John F. Kennedy used the phrase to deflect concerns about his Catholicism, the public has largely avoided probing candidates’ religious beliefs. Is it true, however, that a candidate’s religious convictions should be off-limits to public scrutiny? Damon Linker doesn’t think so, and in this book he outlines the various elements of religious belief—including radical atheism—that are simply incompatible with high office, and sometimes even active citizenship, in a democracy. In six forceful chapters he enlightens us to the complicated interrelations between churches and states, consistently applying a political litmus test to a range of theological views. Along the way, he clearly explains, among other topics, why the government in a religiously tolerant society must not promote a uniform, absolute code of ethics and behavior; why the conviction that America is worthy of divine attention is dangerous; and why the liberal position on the political deregulation of sex is our nation’s only hope for conciliation. In this provocative, hard-hitting manifesto, Linker exhorts both believers and atheists to behave better in the public sphere, and he offers a carefully charted road map for doing so.
Damon Linker is a Senior Writing Fellow in the Center for Critical Writing at Penn.
Most American Jews today will probably tell you that Judaism is inherently democratic and that Jewish and American cultures share the same core beliefs and values. But in fact, Jewish tradition and American culture did not converge seamlessly. Rather, it was American Jews themselves who consciously created this idea of an American Jewish heritage and cemented it in the popular imagination during the late nineteenth and mid-twentieth centuries. History Lessons is the first book to examine how Jews in the United States collectively wove themselves into the narratives of the nation, and came to view the American Jewish experience as a unique chapter in Jewish history. Beth Wenger shows how American Jews celebrated civic holidays like Thanksgiving and the Fourth of July in synagogues and Jewish community organizations, and how they sought to commemorate Jewish cultural contributions and patriotism, often tracing their roots to the nation's founding. She looks at Jewish children's literature used to teach lessons about American Jewish heritage and values, which portrayed - and sometimes embellished - the accomplishments of heroic figures in American Jewish history. Wenger also traces how Jews often disagreed about how properly to represent these figures, focusing on the struggle over the legacy of the Jewish Revolutionary hero Haym Salomon.
History Lessons demonstrates how American Jews fashioned a collective heritage that fused their Jewish past with their American present and future.
Beth S. Wenger is associate professor of history and director of the Jewish Studies Program at the University of Pennsylvania.
Like all great social and technological developments, the computer revolution of the twentieth century didn't just happen. It had to be made to happen, and made to happen by people, not impersonal processes. In The Computer Boys Take Over, Nathan Ensmenger describes the emergence of a new breed of technical specialists - computer programmers, systems analysts, and data processing managers - who built their careers around the powerful new technology of electronic computing. It was these largely anonymous specialists who built the systems that transformed the novel technology of electronic computing from a scientific curiosity into the most powerful and ubiquitous technology of the modern era. Known collectively as "whiz kids," "hackers," and "gurus," they were alternatively admired for their technical prowess and despised for their eccentric mannerisms and the disruptive potential of the technologies they developed. As the systems that they built and maintained became central to the operations of our modern computerized society, they became the focus of a series of critiques of the social and organizational impact of computerization. To many of their contemporaries, it seemed the "computer boys" were taking over, not just in the corporate setting, but also in government, politics, and society in general.
Ensmenger follows the rise of the computer boys as they struggled to establish a role for themselves within traditional organizational, professional, and academic hierarchies. In telling the story of these influential but unrecognized computer revolutionaries, Ensmenger provides a nuanced social history of the computerization of modern society that highlights the many ways in which even the most complex technologies are nevertheless fundamentally human constructions.
Nathan L. Ensmenger is Assistant Professor of the History and Sociology of Science at the University of Pennsylvania.
Neuroscience increasingly allows us to explain, predict, and even control aspects of human behavior. The ethical issues that arise from these developments extend beyond the boundaries of conventional bioethics into philosophy of mind, psychology, theology, public policy, and the law. This broader set of concerns is the subject matter of neuroethics. In this book, leading neuroscientist Martha Farah introduces the reader to the key issues of neuroethics, placing them in scientific and cultural context and presenting a carefully chosen set of essays, articles, and excerpts from longer works that explore specific problems in neuroethics from the perspectives of a diverse set of authors. Included are writings by such leading scientists, philosophers, and legal scholars as Carl Elliot, Joshua Greene, Steven Hyman, Peter Kramer, and Elizabeth Phelps. Topics include the ethical dilemmas of cognitive enhancement; issues of personality, memory and identity; the ability of brain imaging to both persuade and reveal; the legal implications of neuroscience; and the many ways in which neuroscience challenges our conception of what it means to be a person. Neuroethics is an essential guide to the most intellectually challenging and socially significant issues at the interface of neuroscience and society. Farah's clear writing and well-chosen readings will be appreciated by scientist and humanist alike, and the inclusion of questions for discussion in each section enhances the book's appeal for classroom use.
Martha J. Farah is Walter H. Annenberg Professor of Natural Sciences in the Department of Psychology at the University of Pennsylvania, where she directs the Center for Neuroscience and Society.
Playing Doctor is an engaging and highly perceptive history of the medical TV series from its inception to the present day. Turow offers an inside look at the creation of iconic doctor shows as well as a detailed history of the programs, an analysis of changing public perceptions of doctors and medicine, and an insightful commentary on how medical dramas have both exploited and shaped these perceptions. Drawing on extensive interviews with creators, directors, and producers, Playing Doctor is a classic in the field of communications studies. This expanded edition includes a new introduction placing the book in the contemporary context of the health care crisis, as well as new chapters covering the intervening twenty years of television programming. Playing Doctor situates the television vision of medicine as a limitless high-tech resource against the realities underlying the health care debate, both yesterday and today.
Joseph Turow is Robert Lewis Shayon Professor of Communication at Penn's Annenberg School.
To what extent should government be permitted to intervene in personal choices? In grappling with this question, liberal theory seeks to balance individual liberty with the advancement of collective goals such as equality. Too often, however, society's obligation to provide meaningful opportunities is overshadowed by its commitment to personal freedom. Tough Choices charts a middle course between freedom-oriented anti-interventionism and equality-oriented social welfare, presenting a way to structure choices that equalize opportunities while protecting the freedom of individuals to choose among them. Drawing on insights from behavioral economics, psychology, and educational theory, Sigal Ben-Porath makes the case for structured paternalism, which is based on the understanding that state intervention is often inevitable, and that therefore theorists and policymakers must focus on the extent to which it can productively be applied, as well as on the forms it should take in different social domains. Ben-Porath explores how structured paternalism can play a role in providing equal opportunities for individual choice in an array of personal and social contexts, including the intimate lives of adults, parent-child relationships, school choice, and intercultural relations.
Tough Choices demonstrates how structured paternalism can inform more egalitarian social policies, ones that acknowledge personal, social, and cultural differences as well as the challenges all individuals may face when they make a choice.
Sigal R. Ben-Porath is assistant professor at the Graduate School of Education and special assistant to the president at the University of Pennsylvania.
Today, it is difficult to imagine a living room without a sofa. When the first sofas on record were delivered in seventeenth-century France, the result was a radical reinvention of interior space. Symptomatic of a new age of casualness and comfort, the sofa ushered in an era known as the golden age of conversation; as the first piece of furniture designed for two, it was also considered an invitation to seduction. With the sofa came many other changes in interior space we now take for granted: private bedrooms, bathrooms, and the original living rooms.
None of this could have happened without a colorful cast of visionaries - legendary architects, the first interior designers, and the women who shaped the tastes of two successive kings of France: Louis XIV's mistress Madame de Maintenon and Louis XV's mistress Madame de Pompadour. Their revolutionary ideas would have a direct influence on realms outside the home, from clothing to literature and gender relations, changing the way people lived and related to one another for the foreseeable future.
Joan DeJean is the Trustee Professor of French in the Department of Romance Languages at Penn.
The Cambridge Companion to Kant's Critique of Pure Reason is the first collective commentary on this work in English. The seventeen chapters have been written by an international team of scholars, including some of the best-known figures in the field as well as emerging younger talents.
Paul Guyer is F. R. C. Murray Professor in the Humanities and Professor of Philosophy at Penn.
Say it Plain, the celebrated companion to the American RadioWorks(R) documentary which documented the great tradition of African American political speech in the twentieth century, collected the transcribed speeches of the twentieth century's leading African American cultural, literary, and political figures, many of them never before available in printed form. Following the success of that path-breaking volume, Say It Loud adds new depth to the oral and audio history of the modern struggle for racial equality and civil rights - focusing directly on the pivotal questions black America grappled with during the past three decades of struggle.
Mary Frances Berry's 1996 speech at Howard University, on the one hundredth anniversary of the Supreme Court's Plessy v. Ferguson decision upholding racial segregation, is included in this volume. Dr. Berry has been Geraldine R. Segal Professor of American Social Thought and Professor of History at Penn since 1987.
Tightly-structured, hard-boiled fiction with stylistic turns from 40s noir movies, set in Communist-era Bulgaria. Originally published in Bulgaria in 2006, Vladislav Todorov's first novel was nominated for the Vick Prize as Bulgarian Novel of the Year and the Elias Canetti National Literary Prize. Todorov is the author of several scholarly books on modernism, political aesthetics, performing and visual arts, terrorism and global governance. Currently he is senior lecturer in Penn's Department of Slavic Languages and Literature.
Barack Obama, in his acclaimed campaign speech discussing the troubling complexities of race in America today, quoted William Faulkner's famous remark "The past isn't dead and buried. In fact, it isn't even past." In Not Even Past, award-winning historian Thomas Sugrue examines the paradox of race in Obama's America and how President Obama intends to deal with it.
Obama's journey to the White House undoubtedly marks a watershed in the history of race in America. Yet even in what is being hailed as the post-civil rights era, racial divisions - particularly between blacks and whites - remain deeply entrenched in American life. Sugrue traces Obama's evolving understanding of race and racial inequality throughout his career, from his early days as a community organizer in Chicago, to his time as an attorney and scholar, to his spectacular rise to power as a charismatic and savvy politician, to his dramatic presidential campaign. Sugrue looks at Obama's place in the contested history of the civil rights struggle; his views about the root causes of black poverty in America; and the incredible challenges confronting his historic presidency.
Does Obama's presidency signal the end of race in American life? In Not Even Past, a leading historian of civil rights, race, and urban America offers a revealing and unflinchingly honest assessment of the culture and politics of race in the age of Obama, and of our prospects for a postracial America.
Thomas J. Sugrue is David Boies Professor of History and Sociology at Penn.
Barack Obama's stunning victory in the 2008 presidential election will go down as one of the more pivotal in American history. Given America's legacy of racism, how could a relatively untested first-term senator with an African father defeat some of the giants of American politics?
In The Obama Victory, Kate Kenski, Bruce Hardy, and Kathleen Hall Jamieson draw upon the best voter data available, The National Annenberg Election Survey, as well as interviews with key advisors to each campaign, to illuminate how media, money, and messages shaped the 2008 election. They explain how both sides worked the media to reinforce or combat images of McCain as too old and Obama as not ready; how Obama used a very effective rough-and-tumble radio and cable campaign that was largely unnoticed by the mainstream media; how the Vice Presidential nominees impacted the campaign; how McCain's age and Obama's race affected the final vote, and much more.
Briskly written and filled with surprising insights, The Obama Victory goes beyond opinion to offer the most authoritative account available of precisely how and why Obama won the presidency.
"The best analysis of a presidential election in 60 years. Jamieson and her colleagues have set a new standard for analyzing campaign effects on voting and mobilization. A game changer for scholars, pundits and strategists." - Samuel Popkin, Professor of Political Science, University of California-San Diego
Kathleen Hall Jamieson is the Elizabeth Ware Packard Professor of Communication at the Annenberg School for Communication and Walter and Leonore Annenberg Director of the Annenberg Public Policy Center at Penn. Bruce W. Hardy is a Senior Research Analyst at the Annenberg Public Policy Center.
A new constitutional world burst into American life in the mid-twentieth century. For the first time, the national constitution's religion clauses were extended by the United States Supreme Court to all state and local governments. As energized religious individuals and groups probed the new boundaries between religion and government and claimed their sacred rights in court, a complex and evolving landscape of religion and law emerged. Sarah Gordon tells the stories of passionate believers who turned to the law and the courts to facilitate a dazzling diversity of spiritual practice. Legal decisions revealed the exquisite difficulty of gauging where religion ends and government begins. Controversies over school prayer, public funding, religion in prison, same-sex marriage, and secular rituals roiled long-standing assumptions about religion in public life. The range and depth of such conflicts were remarkable — and ubiquitous.
Telling the story from the ground up, Gordon recovers religious practices and traditions that have generated compelling claims while transforming the law of religion. From isolated schoolchildren to outraged housewives and defiant prisoners, believers invoked legal protection while courts struggled to produce stable constitutional standards. In a field dominated by controversy, the vital connection between popular and legal constitutional understandings has sometimes been obscured. The Spirit of the Law explores this tumultuous constitutional world, demonstrating how religion and law have often seemed irreconcilable, even as they became deeply entwined in modern America.
Sarah Barringer Gordon is Arlin M. Adams Professor of Constitutional Law and Professor of History at Penn.
Early Modern Jewry boldly offers a new history of the early modern Jewish experience. From Krakow and Venice to Amsterdam and Smyrna, David Ruderman examines the historical and cultural factors unique to Jewish communities throughout Europe, and how these distinctions played out amidst the rest of society. Looking at how Jewish settlements in the early modern period were linked to one another in fascinating ways, he shows how Jews were communicating with each other and were more aware of their economic, social, and religious connections than ever before. Ruderman explores five crucial and powerful characteristics uniting Jewish communities: a mobility leading to enhanced contacts between Jews of differing backgrounds, traditions, and languages, as well as between Jews and non-Jews; a heightened sense of communal cohesion throughout all Jewish settlements that revealed the rising power of lay oligarchies; a knowledge explosion brought about by the printing press, the growing interest in Jewish books by Christian readers, an expanded curriculum of Jewish learning, and the entrance of Jewish elites into universities; a crisis of rabbinic authority expressed through active messianism, mystical prophecy, radical enthusiasm, and heresy; and the blurring of religious identities, impacting such groups as conversos, Sabbateans, individual converts to Christianity, and Christian Hebraists. In describing an early modern Jewish culture, Early Modern Jewry reconstructs a distinct epoch in history and provides essential background for understanding the modern Jewish experience.
David B. Ruderman is the Joseph Meyerhoff Professor of Mosdern Jewish History and the Ella Darivoff Director of the Herbert D. Katz Center for Advanced Judaic Studies at the University of Pennsylvania.
Set during the Iranian Revolution of 1979 and the ensuing Iran-Iraq War of 1980–1988, the novel Martyrdom Street chronicles the lives of three Iranian women, Fatemeh, Nasrin, and Yasaman. These ordinary women tell their intimate stories of love, loss, betrayal, and hope in intertwining narratives that unfurl simultaneously in America and Iran. Kashani-Sabet’s characters endure both the familiar struggles of family relationships and searing political upheavals. A mother and daughter come to terms with the burdens of separation imposed by politics and exile. A young woman grapples with the haunting memories of an assassination. The poignant confessions of these skillfully wrought characters give voice to the travails of two generations of Iranians and Iranian Americans. Firoozeh Kashani-Sabet is associate professor of history and director of the Middle East Center at Penn.
This book examines moral issues in public and private life from a religious but not devotional perspective. Rather than seeking to prove that one belief system or moral stance is right, it undertakes to help readers more fully understand the effect of religious beliefs and practices on ways of conceiving and addressing moral questions, without having to accept or to reject any specific religious outlook. It shows how the similarities between religions and the differences within any one religion are more important than the reverse. The book asks: Where do moral imperatives come from, and how do the answers found in religion and law interact? How does the fact that a moral norm is grounded in religion affect our thinking about it? What is the significance of the differences (and similarities) between religious and secular sources of moral norms?
Howard Lesnick is Jefferson B. Fordham Professor of Law at Penn Law School.
What does it mean to say that a painting has been “invaded” by language? Art, Word and Image answers this question by exploring how visual images and writing can work in dialogue in an artwork. Whether the picture frame is encroached upon by doodlings, as with Adolf Wolfli’s seemingly irrational scribbles, or a plea to spirituality is blazoned across a vast canvas, as in the moving images of Colin McCahon, we can be sure that words here have a special meaning, one beyond everyday communication.
Art, Word and Image, one of the first books to examine the use of language in art, is constructed around three major chronological essays by renowned scholars John Dixon Hunt, David Lomas, and Michael Corris. Their essays chart the use and significance of words in art—from Classical Greece through the middle Ages and Renaissance to modern digital media. The three central essays comment upon a variety of movements, and woven throughout are more than 300 images from many very well-known artists, including Picasso, Max Ernst, Cy Twombly, Andy Warhol, Paul Klee, and Jasper Johns.
Also featured are shorter essays that spotlight work by some artists who engage substantially with the intersection of the visual and written. Art, Word and Image will be an influential volume in art criticism, providing the framework for future scholarship in the field.
John Dixon Hunt is Professor Emeritus of Landscape Architecture at Penn's School of Design. He is editor of the journal Word and Image and the author of Nature Over Again: The Garden Art of Ian Hamilton Finlay, and many other books.
Written by a team of leading international scholars, this Companion is designed to illuminate Shakespeare's works through discussion of the key topics of Shakespeare studies. Twenty-one brand new essays provide lively and authoritative approaches to recent scholarship and criticism for readers keen to expand their knowledge and appreciation of Shakespeare. The book contains stimulating chapters on traditional topics such as Shakespeare's biography and the transmission of his texts. Individual readings of the plays are given in the context of genre as well as through the cultural and historical perspectives of race, sexuality and gender, and politics and religion. Essays on performance survey the latest digital media as well as stage and film. Throughout the volume, contributors discuss Shakespeare in a global as well as a national context, a dramatist with a long and constantly mutating history of reception and performance.
Margreta De Grazia is Professor of English at the Penn.
Useful knowledge about persuasion has been obtained over the last 100 years from the experience of advertising experts and from empirical studies in advertising and other fields including psychology, consumer behavior, law, mass communication, politics, and propaganda. The principles in Persuasive Advertising provide understandable and easy-to-access guidance for all types of advertising, including still media such as print and Internet, and motion media such as TV, streaming video, Internet, and radio. They also apply to other types of persuasive communications such as management reports, speeches, and press releases. Persuasive Advertising enables advertisers as well as agencies to quickly and inexpensively identify ways to improve ads - or to determine which of a set of ads will be most effective. By using these principles, advertisers can improve their creativity and effectiveness. This book is supported by the AdPrin.com site: http: //advertisingprinciples.comScott Armstrong is Professor of Marketing at the Wharton School.
The story of the Confederate States of America, the proslavery, antidemocratic nation created by white Southern slaveholders to protect their property, has been told many times in heroic and martial narratives. Now, however, Stephanie McCurry tells a very different tale of the Confederate experience. When the grandiosity of Southerners' national ambitions met the harsh realities of wartime crises, unintended consequences ensued. Although Southern statesmen and generals had built the most powerful slave regime in the Western world, they had excluded the majority of their own people - white women and slaves - and thereby sowed the seeds of their demise.
Wartime scarcity of food, labor, and soldiers tested the Confederate vision at every point and created domestic crises to match those found on the battlefields. Women and slaves became critical political actors as they contested government enlistment and tax and welfare policies, and struggled for their freedom. The attempt to repress a majority of its own population backfired on the Confederate States of America as the disenfranchised demanded to be counted and considered in the great struggle over slavery, emancipation, democracy, and nationhood. That Confederate struggle played out in a highly charged international arena.
The political project of the Confederacy was tried by its own people and failed. The government was forced to become accountable to women and slaves, provoking an astounding transformation of the slaveholders' state. Confederate Reckoning is the startling story of this epic political battle in which women and slaves helped to decide the fate of the Confederacy and the outcome of the Civil War.Stephanie McCurry is Professor of History at the University of Pennsylvania.
Allegory is a vast subject, and its knotty history is daunting to students and even advanced scholars venturing outside their own historical specializations. This Companion will present, lucidly, systematically, and expertly, the various threads that comprise the allegorical tradition over its entire chronological range. Beginning with Greek antiquity, the volume shows how the earliest systems of allegory developed in poetry dealing with philosophy, mystical religion, and hermeneutics. Once the earliest histories and themes of the allegorical tradition have been presented, the volume turns to literary, intellectual, and cultural manifestations of allegory through the Middle Ages and Renaissance. The essays in the last section address literary and theoretical approaches to allegory in the modern era, from reactions to allegory in the eighteenth and nineteenth centuries to reevaluations of its power in the thought of the twentieth century and beyond.
Rita Copeland is Professor of Classical Studies and English and Edmund J. and Louise W. Kahn Endowed Term Professor in the Humanities at Penn.
Peter T. Struck is Associate Professor of Classical Studies at Penn.