An Untouched House (Paperback)
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A brooding meditation on violence by a classic post-war Dutch writer who has drawn comparisons to Joseph Heller and Kurt Vonnegut.
A mesmerizing, dark meditation on the legacy of war. An interloper and opportunist makes a grand house his own in the chaos of a war-torn countryside, only to find himself involved with occupying forces and enraged locals.
About the Author
Willem Frederik Hermans (1921-1995) was one of the most prolific and versatile Dutch authors of the twentieth century. He wrote essays, scientific studies, short stories, and poems, but was best known for several novels, the most famous of which are De tranen der acacias (The Tears of the Acacias, 1949), De donkere kamer can Domecles (The Darkroom of Damocles, 1958), and Nooit meer sleepen (Beyond Sleep, 1966). About the translator: David Colmer is a writer and translator. He translates Dutch literature in a wide range of genres including literary fiction, nonfiction, children's books, and poetry. He is a four-time winner of the David Reid Poetry Translation Prize, and received the 2009 Biennial NSW Premier and PEN Translation Prize. His translation of Gerbrand Bakker's The Twin (Archipelago) was awarded the International IMPAC Dublin Literary Award and he received--along with Gerbrand Bakker--the Independent Foreign Fiction Prize for Bakker's novel The Detour.
One of Ian McEwan's 'most underrated books'
"Hermans’s novella is a bleak depiction of the absurdity of war, which knows no winners." — Felix Haas, World Literature Today
"A shocking Dutch classic… remarkable… It takes an hour or two to read, but An Untouched House is the kind of book that stays with you for ever." — The Guardian
"From the opening pages, the translator David Colmer brilliantly evokes the laconic tone of a narrator who proves intelligent, resourceful and increasingly deranged... By any light, this eloquent marvel teases, bewilders and unnerves." — Times Literary Supplement
"Taut… dark, thrillerish." — New Statesman
"Shocking… properly unsettling… It would certainly be good to have a lot more of Hermans’s work available here." — Sunday Times
"A stark, funny and graphic exploration of the folly of war… Bravo Pushkin Press for seeking out yet another international gem." — A Life in Books
"An expertly crafted story… A small novel that packs a strong, hard punch." — Complete Review
"As disturbing and powerful as anything by Joseph Heller or Kurt Vonnegut." --Michel Faber
"Hermans is as alarming as a snake in the breadbin... hugely entertaining." -- The Scotsman
"Crackling with uneasy tension... A beautiful new edition of a powerful and timeless, slim Dutch masterpiece, written in a spare and crisp style that brings to mind Camus." — The Lady
"Disturbing, haunting, and brilliant… an excellent antidote to misty eyed nostalgia for blitz or Dunkirk spirit." — Desperate Reader
"A violent apotheosis without equal in modern literature. A sadistic universe that offers no room for escape." - Cees Nooteboom
"Unsurpassed in its stylistic precision, unsettling in its language, dialogue, atmosphere, humour." --Harry Mulisch
"[Hermans] granted me a silence in which I could hear this novel's voice in all its purity, in all the beauty of the unexplained and the unknown." --Milan Kundera
'A literary tour de force." -- Frankfurter Allgemeine Zeitung
"Short but powerful novella… I was filled with admiration for its unflinching depiction of what happens when war numbs the human heart and destroys empathy." — The Book Jotter (blog)
Praise for Hermans' The Darkroom of Damocles:
"I didn't know more [than a few facts about Hermans or his life]. But that wasn't necessary to delight in his novel. Works of art are gnawed at by a frenzied pack of comments and facts and their din renders the singular voice of a novel or a poem inaudible. I finished Hermans' book with a sense of gratitude for my ignorance; it granted me a silence in which I could hear this novel's voice in all its purity, in all the beauty of the unexplained and the unknown. . . I dove into this novel, intimidated at first by its length, then surprised at having read it without stopping. Because this novel is a thriller, a long chain of events in which the suspense never lets up. The events (which take place during the War and in the years immediately after) are described in a dry, exacting manner, detailed but swift; they are terribly real, yet skirt the limits of plausibility. I was captivated by this aesthetic: a novel smitten with the real and at the same time fascinated by the improbable and the strange." -- Milan Kundera, Le Monde
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